Part 2, Electric Boogaloo: Pitch Wars 2017 Wish List



Since I’ve had some repeated questions about what I’m looking for, here are a few clarifications:

• I like all the fantasies. High fantasy, low fantasy, historical fantasy, diet fantasy, extra crispy fantasy—ALL OF THEM.

• Most sci-fi is good too. (When I say hard sci-fi isn’t really my thing, I mainly mean I’m not looking for heavily science-y sci-fi.)

• Dystopia = yes, please.

• Mermaids/angels/demons/ghosts/etc: While I’m not looking for these things to be the main focus of the plot, it’s totally fine if these things exist in your story or universe.

• Sexual assault/rape: Again, I won’t reject if these things exist in your story, so long as they are not gratuitous or your MC’s main motivations.

• Dead animals: At the risk of sounding like a broken record, again, this is okay if it’s a minor part of your story. (Just don’t you dare send me your updated fantasy version of Where the Red Fern Grows. Don’t. You. Dare.)


That’s it! And please, if you’re still wondering about anything, feel free to reach out to me in the comments or on the Twitters!



Pitch Wars 2017 Wish List




UPDATE: When you’re finished reading below, check out Part 2 of my Wish List, filled with all manner of of riveting clarifications!

Hello Pitch Wars peeps! As a brand-new-mint-in-box-first-time mentor, I’m super excited, honored, and more than a little nervous to be posting my wishlist!

First, a little about me: My name is Lyndsay Ely (that’s eel-ee, like an eel). By day, I am a mild-mannered graphic designer at a Boston publishing company, where I’ve spent eight years creeping around the inner workings of the industry and acquiring a staggering number of books for my TBR pile. When I’m not doing writerly stuff, you can find me digging through a thrift/antique shop, trying out a new cocktail bar, or geeking out to the max at a con.


In 2015, I was lucky enough to be a Pitch Wars mentee, mentored by the incomparable Elizabeth Briggs. Today, I am represented by Laura Zats of Red Sofa Literary, and my debut novel, GUNSLINGER GIRL, comes out in January 2018 from Jimmy Patterson/Little, Brown.

What am I looking for?

As a young adult mentor, I humbly request that you send me your finest YA speculative, SFF, and historical fiction!

I like fantasy, light science fiction (hard sci-fi is a harder—but not impossible—sell), stories that* bend genre (Bend it! Bend it like you’re the avatar of genres!), adventures, dark, twisty stories, and well-detailed historicals. Give me a book like SIX OF CROWS or THE GOLDEN COMPASS or GRAVE MERCY. Send your young adult GODS OF GOTHAM , ANCILLARY JUSTICE, or SHARP OBJECTS. Give me complex, complicated characters (your Kara Thraces, Hollands, and Kaz Brekkers), worlds that vibrate with their intensity, and plots that will make my stomach ache to see how they’ll turn out. Not too hard, right?


MOAR WANTS (both general and oddly specific):

  • Heists/treasure hunts (I’m a sucker for these!)
  • Badass ladies
  • Diverse casts, relationships, and settings of all kinds (including, but not limited to, LGBTIQA+ & #ownvoices)
  • Dark, gritty, or adventurous historical fiction
  • A historical Middle Eastern-based fantasy (See? Oddly specific. I HAVE A MIGHTY NEED!)
  • Twisted stuff, like a YA version of PREACHER
  • Geekiness.
  • Anti-heroes, vigilantes, and redeemable villains
  • A Gillian Flynn-esque YA contemporary
  • I’m not big on re-tellings, but if you have something along the lines of JANE STEELE, I might be interested
  • Feminism!!!

What do I not want?

Well, middle grade and adult entries to start. And I’m not the person to send your contemporary realism or romance manuscripts. I do like angst and romance, but I generally need some magic and explosions and such to go along with it.



  • Mermaids
  • Angels vs. demons
  • Love interests whose biggest selling point is hottiness, or Insta-love™
  • Ghosts or paranormal (though this is a maybe if it’s a historical setting)
  • Contemporary (unless you have the aforementioned Gillian Flynn-esque contemporary)
  • Epistolary novels, novels told in text message, verse etc. (Just not my thing.)
  • Killing off of pets, familiars, or anything cute, loyal, and lovable. (Unless it’s absolutely necessary for your plot that you devastate the reader. Because it’s absolutely going to devastate me.)
  • Rape as a character motivation, or excessive use or threat of sexual assault as a device to create danger
  • Non-Western settings starring a Western MC. (White savior stories are a hard pass from me.)
  • Any plot that leans on the “MC overcomes challenge despite the fact that / even though she’s a girl” device. (Girl MCs who have to pretend to be boys is gonna be a tough sell to me too, though I won’t say it’s 100% out.)

Not sure if I’ll be into something? Ask me on Twitter!


Some personal favorites to give an idea of what I like:

Some favorite books/comics: The Count of Monte Cristo, the Young Wizards series, Six of Crows, Gods of Gotham, A Darker Shade of Magic (and sequels), the Bloody Jack series, The End of Mr. Y, The Stand, Strangers in Paradise, Transmetropolitan, Preacher, Fables.

Some favorite authors: Diane Duane, Scarlett Thomas, R. L. LaFevers, Lyndsay Faye, Warren Ellis, Arturo Pérez-Reverte, and Terry Moore.

Some favorite TV/movies: Battlestar Galactica, Avatar: The Last Airbender, Archer, Dangerous Liasons, Titus, Deadpool, Heathers, Muppet Treasure Island


What can you expect from me as a mentor?

Well, to start, doing what it takes to get you the materials you need to revise in a timely manner. This will include an edit letter, feedback on revisions, help on your query, synopsis, and pitch, as well as assistance in finding sensitivity readers, if applicable. (Plus, some other things I probably haven’t thought of yet.)

What am I looking for in a mentee?

Someone passionate about the amazingness that is Pitch Wars. Someone who can take criticism, and search for the kernel of truth in it even when it doesn’t entirely make sense to them. Someone who won’t just kill their darlings, but pop up in the back seat of the darling’s car, garotte them, then burn the car and walk away without looking back.


And, most importantly, someone who will do the hard work and hit the deadlines, no excuses. (I mean, some things are obviously unforeseeable, but besides those.)

I am a very deadline-oriented person, and I’d like a mentee that is too. Two months for revisions sounds like a lot, but it runs out quick. However, if you’re willing to to put in the effort, so am I!

*that is in blue













































































Powered by… Mister Linky’s Magical Widgets.

Readercon Wrap Up

There’s nothing quite like the exhaustion following a weekend convention. My queendom for a pill that can erase three days of too little sleep and too much caffeine, booze, and unhealthy food. In lieu of that being available, blogging from the couch will have to do.

For anyone unfamiliar, Readercon is a Boston-area convention focused on science fiction, fantasy, horror, and other genres of speculative fiction. This was my second year attending (though it shares so many common guests, vendors, and themes with another local con, Boskone, that it doesn’t really feel like that) and, as usual, the line-up was great. This year’s guest were Nnedi Okorafor and Naomi Novik. I was able to attend a number of excellently executed panels, including It’s Complicated: Improving Intersectionality and Representation in Speculative Fiction, #Ownvoices Without Limiting Diverse Creators, and Recommending Outside the Box: Countering Unconscious Bias in Book Recommendations for Teens. And the events…well, if you poke around the hashtag on Twitter you may find some very entertaining videos from the Miscellany show on Saturday evening.

Cons feel a little different these days, though. Last year at this time, I hadn’t yet sold GUNSLINGER GIRL, so when people asked me what I write (or read, those two questions being pretty common icebreakers), I’d say mostly YA and that was the end of it. Now, with GG well along in the publishing process, I can say “YA, and my debut novel is coming out next year.”

Which feels…weird. Especially at a con with such extensive roots in the SFF/spec fic world (a world that I have far less exposure to than most of the attendees), where you’re pretty much within twenty feet of a critically acclaimed and/or major award-winning author at all times. Long story short, I felt very aware of my n00b author status.

But putting that aside (because I’m pretty sure the insecurities never really go away, *nervous chuckle*) it was a pretty great con. My writing group did their first “official” reading. (Which I very lamely came late to, because that’s how good of an organizer I am.) I got to hear some really interesting writers speak, including a kaffeeklatche (round table discussion) with Maria Dahvana Headley. That was a particularly interesting hour, as she touched upon something that’s been on my mind a lot lately: Narratives, both in real life and in writing, the effects they have, and how to better control/break free of them. (But that’s a blog topic for another day.) Also, she had these amazing antique Italian gold earrings she let me paw at.

Today, I’m enjoying a day off from work, recovering and gearing up for the beginning of Pitch Wars as a first-time mentor. (Eek.) And as tired as I am, I’m already looking forward to next year’s Readercon. Someone asked me this weekend what my next con was going to be, and I realized that now begins the dry season, and I’ve got nothing solid in mind (toying with a day at Boston Comic Con) until Arisia next January. *sad emoji face*

So, if anyone has recommendations for great cons between now and January, especially in the Northeast, feel free to share!

Getting Off the Fence for #PitchWars


After what felt like a never-ending forever, all of a sudden Pitch Wars is approaching at  a rapid pace. (Are you nervous? As a first time mentor, I sure am.) We are only a week or so out from the Mentor Blog Hop, and less than a month from when the submission window opens.

There’s a lot of advice going around right now about preparing for Pitch Wars, how to up you chances of being chosen, how to pick the right mentors to submit to, etc etc. But there are probably a few people who haven’t decide whether they’re even going to enter this year. Maybe they’ve got reasons for telling themselves they shouldn’t, not now, not this year.

So let’s look at a few reasons why someone might be hesitant to enter:


REASON: My manuscript isn’t good enough.

Is it? Is it really not good enough? Self-rejection is one of the hardest parts of being a creative to overcome, and one of the biggest obstacles to success. (Personally, I say take opportunities when they’re available, whether that’s an online contest, a new agent to query, an invitation to resubmit after revisions, etc etc. Persistence, as is repeated over and over in this industry, is key.)

It’s important to remember that Pitch Wars isn’t about perfect manuscripts. Mentors aren’t making offers on your manuscript, their goal is to help you improve it. And honestly, even the agents and editors who do make the offers rarely do so on “perfect” books. After an offer and after a sale, it’s very likely that you will make revisions on your manuscript, maybe drastic ones. So don’t assume what you’ve got in your hands right now isn’t “good enough.” There are thresholds at which a mentor/agent/editor will say “I can work with this” but you’ll never know if you’ve reached those thresholds if you don’t get your book in front of folks.


REASON: Rejection sucks.

No argument here. But it’s an inevitable part of the writing world, and it will never go away. You might as well get used to it.

I’m not trying to be flip. Putting your work out for critique never stops being nerve-wracking, but it does get better if you begin to accept that criticism and rejection are part of the process. I feel lucky to have attended art school (which is basically four years of putting your hard work in front of your instructors, friends, and fellow students and having them tear it apart) because resistance to rejection builds up like a callus. IF YOU LET IT. But if you avoid it, the few times you do put yourself and your work out there are going to hurt, and keep hurting.

And one more thought on rejection: Okay, you got rejected. What have you really lost? Not much. You’re back where you were before, at worst. But at best, you get what you want. Isn’t that an acceptable risk?


REASON: Ahh—interacting with people online! It’s scary!

Okay, maybe you’re an introvert, or just aren’t very active online. That’s okay. As far as I know, there’s no minimal amount of interaction required if you’re chosen to be a mentee. While there are a number of active online mentee groups on Facebook, etc, no one is going to twist your arm to participate. If you want to quietly work with your mentor to make your manuscript the best it can be, and that’s it, that’s fine!


REASON: Eh, it’s a lot of work and I don’t think I’ll have the time.

Now this is an acceptable reason not to enter. Pitch Wars IS a lot of work, and does take a certain level of commitment if you and your manuscript are going to benefit from it. If this year isn’t the year you’ll be able to make that commitment, cool. 2018 is right around the corner. (In fact, it could get here a little faster, for a multitude of reasons, haha.)


REASON: I’ve read this whole blog post and thought it over and asked other people for input and I STILL can’t decide if I’m going to enter.

In this case, leave it to Fate. Flip a coin. (Hey, it worked for Two-Face!)
Got any other reasons you’re telling yourself not to enter? Need to be talked into it? Pitch Wars is a community; hit up the hashtags (#PitchWars or #AskMentor) and I’m sure you’ll find someone willing to help. 😉